For a company that has dominated the entertainment landscape for decades, Disney finds itself navigating treacherous waters with the upcoming release of its live-action adaptation of Snow White. The past few weeks have been nothing short of a public relations nightmare, challenging the long-standing adage of “there’s no such thing as bad publicity.” While that
Cinema
The landscape of psychological horror has often been dominated by supernatural themes and grotesque imagery. However, “The Rule of Jenny Pen,” a bold adaptation of Owen Marshall’s short story, delves into the uncanny and often overlooked setting of a retirement home. Director James Ashcroft has chosen a unique canvas to paint his horror—a place where
In an era obsessed with reimagining myths, “In the Lost Lands,” directed by Paul W. S. Anderson, attempts to weave elements of post-apocalyptic storytelling with lycanthropic lore, reminiscent of George R.R. Martin’s original tale. Unfortunately, what could have been a solid foundation for an imaginative narrative instead collapses under the weight of its mediocrity. The
In the cinematic landscape, there are few directors who possess the alchemy to weave together genres as fluidly as Bong Joon-ho. Renowned for his incisive social critiques and humanistic storytelling, he embarks on a new imaginative journey with *Mickey 17*. Adapted from Edward Ashton’s novel *Mickey7*, this film not only revives the science fiction genre
Vera Drew’s groundbreaking film, The People’s Joker, has become a noteworthy entry in the realm of superhero parodies. Premiering at the Toronto Film Festival’s Midnight Madness over two years ago, the film has gained traction primarily through word-of-mouth praise, attracting the attention of audiences intrigued by its audacity and charm. While some critics have pointed
Gints Zilbalodis, a name that has begun to resonate within the realm of animation, showcased his unique storytelling abilities with his previous work, “Away.” This film not only drew viewers into its compelling narrative but also illuminated the magnitude of Zilbalodis’s capabilities. At the young age of 27, he had already carved out a niche
In an era where films are often the product of large teams and multi-million dollar budgets, “Away,” an animated feature by Latvian filmmaker Gints Zilbalodis, stands out as an extraordinary achievement. At just 27 years old, Zilbalodis has poured his creative essence into this project, serving as the director, writer, animator, producer, and even the
“The Rule of Jenny Pen” immerses viewers in a chilling narrative that juxtaposes the trials of aging with the sinister energies lurking within a retirement home. This dark horror film, directed by James Ashcroft, features a captivating premise where a misanthropic judge, Stefan Mortensen, finds himself at the mercy of Dave Crealy, a seemingly benign
Bong Joon-ho’s new venture into the realm of science fiction, “Mickey 17,” has finally graced theater screens worldwide after a series of setbacks and a prolonged wait. Following the notable impact of his previous works, including “Okja,” this film explores similar themes of class division and the exploitative nature of corporatism, all set against a
In the evolving landscape of the Marvel Cinematic Universe (MCU), “Captain America: Brave New World” signifies a pivotal moment. While the trailers suggested an espionage thriller reminiscent of “The Winter Soldier,” the film veers into fresh territory, offering a nuanced exploration of legacy and identity. Here, the story shifts its focus from Steve Rogers, the